THE STORY BEHIND IT
The words above are taken from a track by guitar-supremo Eric Johnson from his seminal album Ah Via Musicom; now celebrating 25 years since its release. It’s fair to say that music shapes my work in many ways but it’s his, in particular, that resonates with me so profoundly.
However it’s not the inspiration for the painting but the name I gave it afterwards as it fit perfectly. Colours are numerous and varied. And one of the things I am most pleased with is the subtlety where two or three colours meet each other.
It’s surprising actually because from a distance the painting looks very split with colours each having their own place. A closer inspection however reveals that there are many intricate blends that link these applications together.
Unusually I’ve only used brushes – not something I normally go near to be honest, most of my tools are exactly that – tools! Each time I’m applying paint it’s pre-mixed off the canvas, brush loaded, stroke direction assessed and on we go. In many ways it’s the constant change of direction that helps create the feeling of movement.
The other I thing I feel particularly strongly about is the freedom with which this painting is created.
When was the last time your mind was clear, your hang-ups about life disappeared and you genuinely didn’t give a crap about anything? Guess when my last one was? There you go. Believe me when I say that when you let go the good things happen.
That shouldn’t necessarily be a measure of how good or bad you think this painting is – that’s your own reaction and you own it. Perhaps think about it like this: when you stop trying and just do, when you care not and just exist that’s the truth. There are no further layers to be removed. I am an artist who loves shapes and colours.
So that’s exactly what you’ve got. No interference or dilutions. It’s surprising what actually happens when you find that special place.
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Swarez Modern Art, Upper A1 Lightpill Mill, Bath Road Trading Estate, Stroud, Gloucestershire, United Kingdom. GL5 3QF.
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