I love orange and yellow paint
It’s a fact. These two colours are devilishly good and can literally turn anyone’s face into a beaming smile. With more than a passing nod to sunshine and all the good things that are associated with it. It is nourishing, warm, familiar and ultimately reassuring.
But on their own they can become a little bright and unyielding so inevitably, when looking at them from an artistic perspective, it’s very often the case that a darker colour is needed to help bring everything into a more balanced state.
And that, my dear friend, is where black plays such a pivotal role.
Dealing with the weighty things
Black, as I have talked about before, is a very final colour. There’s no getting away from it once it’s on the canvas. I overdo things frequently which normally means I have to throw away the canvas and start again.
But black is also a great leveller. It is grounding and gravitational. But perhaps I see its greatest quality as a permissive one – by that I mean it allows you to see all the other colours far better as they have something to compare and contrast themselves to.
You can’t ever see the light if you are surrounded by darkness right? Opposites are always needed so that you can acknowledge both in their simultaneous existence. It is the exact same principle with colour. You get to fully appreciate one thing when it sits opposite another.
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